Office for Fujifilm Corporation
The ancients wrote, to have nothing is to have plenty. That the employees of the Design Center, who will be moving into the building, will work while cultivating a sensitivity to the essence of what can be seen in a simple space, and to the fragility and preciousness of the natural world, and that this will be reflected in the designs they produce. The space is made of only unprocessed materials. The space is made of only unprocessed materials, with only beams and pillars to give it the appearance of an office.
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It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
concrete, painting, wood cement board
It was difficult to unite concentration and communication. It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Start of design in November 2020, completion in April 2021 Nishi-Azabu, Minato-ku, Tokyo
While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind. Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion. Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Fujifilm Clay Studio2 Office has been a Bronze winner in the Interior Space and Exhibition Design award category in the year 2021 organized by the prestigious A' Design Award & Competition. The Bronze A' Design Award is given to outstanding designs that showcase a high degree of creativity and practicality. It recognizes the dedication and skill of designers who produce work that stands out for its thoughtful development and innovative use of materials and technology. These designs are acknowledged for their professional execution and potential to influence industry standards positively. Winning this award highlights the designer's ability to blend form and function effectively, offering solutions that enhance people's lives and wellbeing.
For design images and photos please credit Lin Su.
Lin Su was recognized with the coveted Bronze A' Design Award in 2022, a testament to excellence of their work Fujifilm Clay Studio2 Office.
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Fujifilm Clay Studio2: Redefining the Office Space Experience
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