Materializing the Digital
Transformable Fabrics 3D Printed for Valentina Favaro
These designs explore how movement can be embodied in our urban garments through the use of programmable materials in response to the digital era. The aim is to analyze the relation between body and movement, through the connection with materials, and their adaptation and reaction to this. Materialization means to assume material form: the emphasis is on reality and perception. To materialize the movement is a path which has not only a conceptual and social goal, but also a functional one. The inspiration came doing a motion capture of our bodies in different sport activities.
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Materializing the Digital by Valentina Favaro
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Transformable Fabrics 3D Printed by Valentina Favaro
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Valentina Favaro Materializing the Digital
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Valentina Favaro Transformable Fabrics 3D Printed
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Valentina Favaro Interview
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Materializing the Digital Transformable Fabrics 3D Printed Press Releases
Press releases for Materializing the Digital are now accessible in these languages: English.
Materializing the Digital Transformable Fabrics 3D Printed Translations
Our Materializing the Digital translations are now available in a wide range of languages: Teles Transformables Impreses En 3D CA, පරිවර්තනය කළ හැකි රෙදි 3D මුද්රණය SI, Nsalu Zosintha 3D Zosindikizidwa NY, Transformovateľné Tkaniny 3D Tlačené SK, 3D打印的 ZH, 3D-Tkanine, Ki Jih Je Mogoče Preoblikovati, SL, Tessuti Trasformabili 3D Stampati CO, Dharka La Beddeli Karo Oo 3D Daabacan SO, Transformabilne Tkanine 3D Tiskane HR, Masela A Fetolehang A Fetotsoeng A 3D ST, Transformovatelné Textilie 3D Potištěné CS, Telas Transformables Impresas En 3D ES, Transformerbare Tekstiler 3D-Trykt DA, Lawon Anu Dirobih 3D Dicitak SU, Transformeerbare Stoffen 3D-Geprint NL, Vitambaa Vinavyobadilika 3D Vilivyochapishwa SW, Transformeblaj Ŝtofoj 3D Presitaj EO, Transformerbara Tyger 3D Tryckt SV, 3D-Trükitud Transformeeritavad Kangad ET, மாற்றக்கூடிய துணிகள் 3 டி அச்சிடப்பட்ட TA, Muutettavat Kankaat, 3D Painettu, FI, రూపాంతరం చెందగల బట్టలు 3 డి ముద్రించినది TE, Les Tissus Transformables Imprimés En 3D FR, Матоъҳои Ивазшаванда 3D Чопшуда TG, Tecidos Transformables Impresos 3D GL, ผ้าที่เปลี่ยนรูปได้ 3 มิติ TH, ტრანსფორმირებადი ქსოვილები, 3D დაბეჭდილი KA, 3D Çap Edilen Üýtgeýän Matalar TK, Transformierbare Stoffe 3D Gedruckt DE, Nababago Tela 3D Nakalimbag TL, Μεταμορφώσιμα Υφάσματα Που Τυπώνονται 3D EL, Dönüştürülebilir Kumaşlar 3D Baskılı TR, ટ્રાન્સફોર્મેબલ કાપડ 3 ડી પ્રિન્ટેડ GU, 3D Басылган Үзгәртелә Торган Тукымалар TT, Tissus Transformable 3D Enprime HT, 3D بېسىلغان ئۆزگىرىشچان رەخت UG, Masana'anta Masu Sauyawa 3D Bugawa HA, Тканини, Що Перетворюються В 3D- UK, בדים ניתנים להמרה מודפסים תלת מימד HE, 3D پرنٹ ٹرانسفاربل کپڑوں کی UR, परिवर्तनीय कपड़े 3 डी प्रिंटेड HI, O'zgaruvchan Matolar 3D Bosma UZ, Átalakítható Szövetek, 3D Nyomtatással HU, Vải Có Thể Biến Đổi In 3D VI, Kain Transformable 3D Dicetak ID, Mae Ffabrigau Trawsnewidiol 3D Wedi'u Hargraffu CY, Fabraicí Inathraithe 3D Clóite GA, Transformabele Stoffen 3D Printe FY, Akwa 3D Nke Na-Agbanwe Agbanwe IG, Iindwangu Ezinokuguqulwa Ezi-3D Eziprintiweyo XH, Umbreytanlegir Dúkar 3D Prentaðir IS, טראַנספאָרמאַבלע פאַבריקס 3 ד געדרוקט YI, Tessuti Trasformabili Stampati In 3D IT, Awọn Aso Iyipada Ti A Yipada 3D Ti A Tẹ YO, 変形可能なファブリック3Dプリント JA, Izindwangu Eziguqukayo 3D Eziphrintiwe Ziyindlela Yokwakheka ZU, Kunci Ganti Warna 3D Dicithak JV, 3D打印的 ZY, 3 ಡಿ ಮುದ್ರಿತ ರೂಪಾಂತರದ ಬಟ್ಟೆಗಳು KN, Nabag-O Nga Mga Panapton Nga Giimprinta Nga 3D CEB, 3D Басылып Шығарылатын Маталар KK, Nā Mea Hoʻololi I Ka Lole 3D I Paʻi HAW, Transformable Fabrics 3D Printed EN, ក្រណាត់ដែលអាចបំលែងបាន 3D បោះពុម្ព KM, Transformable Fabrics 3D Luam Tawm HMN, Imyenda Ihindagurika 3D Yacapwe RW, Өзгөрүлмө Кездемелер 3D KY, 변형 가능한 직물 3D 인쇄 KO, Fabrîkên Guhastbar Ên Çapkirî Yên 3D Çapkirî KU, Transformable 3D Typis Textilia LA, Transformerbar Stoffer 3D Gedréckt LB, ຜ້າທີ່ສາມາດປ່ຽນໄດ້ 3D ພິມ LO, Transformuojami Audiniai, Atspausdinti 3D Formatu, LT, Pārveidojamie Audumi, Kas Iespiesti 3D Formātā, LV, Транспарентни Ткаенини 3D Печатениот MK, Ny Lamba Miovaina 3D Vita Pirinty MG, Kain Boleh Ubah Yang Dicetak 3D MS, രൂപാന്തരപ്പെടുത്താവുന്ന തുണിത്തരങ്ങൾ 3 ഡി അച്ചടിച്ചത് ML, Drappijiet Trasformabbli Stampati 3D MT, Papahurihia Te Papanga 3D Taia MI, ट्रान्सफॉर्मेबल फॅब्रिक्स 3 डी प्रिंट MR, Хувиргасан Даавуу 3D Хэвлэсэн MN, ट्रान्सफार्मेबल कपडा 3 डी मुद्रित NE, Transformerbare Tekstiler 3D-Trykt NO, ଟ୍ରାନ୍ସଫର୍ମେବଲ୍ କପଡା 3D ମୁଦ୍ରିତ OR, Transformeerbare Materiaal Wat 3D Gedruk AF, ਟ੍ਰਾਂਸਫੌਰਮਬਲ ਫੈਬਰਿਕ 3 ਡੀ ਪ੍ਰਿੰਟਡ PA, Pëlhura Të Shndërrueshme 3D Të Shtypura SQ, پارچه های قابل تغییر 3D چاپ شده FA, ሊለወጡ የሚችሉ ጨርቆች 3 ዲ ታትመዋል AM, Transformowalne Tkaniny Drukowane 3D PL, الأقمشة القابلة للتحويل ثلاثية الأبعاد المطبوعة AR, د تغیر وړ ټوکر 3D چاپ PS, Փոխակերպելի Գործվածքներ 3D Տպագիր HY, Tecidos Transformáveis Impressos Em 3D PT, Dəyişdirilə Bilən Parçalar 3D Çap AZ, Țesături Transformabile Imprimate 3D RO, Ehun Itxurako Inprimatutako 3D Inprimatutako EU, Трансформируемые Ткани С 3D Принтом RU, Тканіна, Якая Трансфармуецца Ў 3D, Мае Надрукаваны BE, تبديل ٿيندڙ ڪپڙا 3D ڇپيل SD, রূপান্তরযোগ্য কাপড় 3 ডি প্রিন্টড BN, Mafai Ona Suia Lavalava Lomia 3D SM, Transformabilne Tkanine 3D Otisnute BS, 3Д Трансформисане Тканине SR, Трансформируемите Тъкани, 3D Печатани, BG, Clò-Bhualaidhean 3D Clò-Bhuailte 3D GD, 3D ပုံနှိပ်ကူးပြောင်းနိုင်သောထည် MY, Chinoshandurwa Machira 3D Akadhindwa SN, for global reach.
Materializing the Digital Transformable Fabrics 3D Printed Media Articles
Our articles on Materializing the Digital, prepared for immediate use, are offered in several languages, including Italian, Portuguese, Korean, Hindi, French, Indonesian, German, Spanish, Japanese, Russian, English, Turkish, Arabic (Standard) and Chinese (Mandarin).
Unique Properties
These designs explore how movement can be embodied in our urban garments through the use of programmable materials in response to the digital era.Aiming to analyze the relation between body and movement, through the connection with materials, and their adaptation and reaction to this. Materialization means to assume material form: the emphasis is on reality and perception. To materialize the movement is a path which has not only a conceptual and social goal, but also a functional one.
Tags
programmable fabrics, transformable fabrics, digital era, 3d printing, movement, adaptation, reaction, materialisation, changeability
Production Technology
This work focuses on the programmable fabrics: this means fabrics which are stretchable and can react, trough shrinking, to the contrast of the more solid matter 3d printed on them. In prestressed textiles, textiles with a high degree of elasticity, such as neoprene and jersey, can be used as the active material of the programmable composite. Less elastic material, such as plastic, can be used as the non-active material to structure the textile and constrain its stretched state. Moreover the research beginning the shapes study, and done on the movements of the body during different activities, has been done through the motion capture of people biking, running and skating.
Design Challenge
The hardest part has been facing the production possibilities, and still is open a question on how to produce the collection on a large scale. Besides also the design challenge of putting together a conceptual reflection on our time, and a functional study for our body.
Project Duration
The project started in Ravensbourne university in January 2019 and ended as my own dissertation in October 2019.
Operation Flow
These clothes have been design studying a way to embrace the movement of our body and, at the same time, as a reflection on how this digital era is making everything more virtual, literally tracing the shape of movement on fabrics. So both, functional and conceptual. On the practical aspect this has been made choosing three activities that are riding our urban scenario (biking, skating and running), and which makes us needing adaptable clothing more and more everyday. People movements, making these activities, have been analysed through the use of motion capture. The movements has been traced through the use of Maya software, and after it studied and elaborated into skatches. In these phase the functional part has been interwoven with the conceptual one. Once decided the shapes and movements for every outfit, the fabrics has been stretched on a 3d printer and printed, so once released it could shrink into shapes. After this the design was sewn ( due to the little dimension of the 3d printer plate every part has been divided in more and sewn together)
Research
The aim of this research is to analyze and underline the relation between body and movement, through the connection with materials, and their adaptation and reaction to this. This research explores the possibility to create a new category of fabrics . The narration behind this is a reflection on the digital ages we are living in, where virtual is overwhelming the physical aspects of life. We are now the new tribe of digital natives. Digital people in digital environments. The research explores the question: how can movement be embodied in our urban garments through the use of programmable materials in response to the digital era? Moreover, in support to the conceptual world of materialization versus volatility, of tangible vs intangible, physical vs virtual, it follows an investigation on what is movement, how we can produce and trace it. The focus is on the challenge of materialize our movements, in order to bring awareness on our situation. What would be a world only virtual? How can we save the material world? We need to investigate the essence of our physical body, the movement. This is the story, or better say, the wardrobe, of our new digital era; of the materialization of movement.
Inspiration
These designs investigate the possibility to create a new category of fabrics enabling movement and using it as source of inspiration for the creation of new shapes. The narration behind this is a reflection on the digital ages we are living in, where virtual is overwhelming the physical aspects of life. We are now digital people in digital environments. How can we save the material world? This is the story, or better say, the wardrobe, of a digital era, of the materialization of movement.
Image Credits
Image #1: photographer Suthathip Saepung/ model Savannah Smith/ model Sara Dett /creator Valentina Favaro Image #2: photographer Suthathip Saepung/ model Savannah Smith/ model Sara Dett /creator Valentina Favaro Image #3: photographer Suthathip Saepung/ model Savannah Smith/ creator Valentina Favaro Image #4: photographer Suthathip Saepung/ model Savannah Smith/ creator Valentina Favaro Image #5: photographer Suthathip Saepung/ model Sara Dett /creator Valentina Favaro
Project Overview
Materializing the Digital Transformable Fabrics 3D Printed has been a Bronze winner in the Textile, Fabric, Textures, Patterns and Cloth Design award category in the year 2019 organized by the prestigious A' Design Award & Competition. The Bronze A' Design Award is given to outstanding designs that showcase a high degree of creativity and practicality. It recognizes the dedication and skill of designers who produce work that stands out for its thoughtful development and innovative use of materials and technology. These designs are acknowledged for their professional execution and potential to influence industry standards positively. Winning this award highlights the designer's ability to blend form and function effectively, offering solutions that enhance people's lives and wellbeing.
Bronze Recognition
Valentina Favaro was recognized with the coveted Bronze A' Design Award in 2020, a testament to excellence of their work Materializing the Digital Transformable Fabrics 3D Printed.
Valentina Favaro Press Releases
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Transformable Fabrics 3D Printed: Materializing the Digital
Valentina Favaro Explores the Intersection of Fashion and Technology in Transformable Fabrics 3D Printed
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